Tag: alt-country music

  • Press for I Saw A Galloping Horse Cover No Ground

    We’re not sure how it happened, but I Saw A Galloping Horse Cover No Ground was included in The Best Country Music on Bandcamp for November 2025! I was personally very happy to see it listed next to a release by Eiderdown Records, who put out really wonderful stuff, including a new favorite On A Moonlit Hill In Slovenia by Lori Goldston. We’re feeling very grateful and excited for upcoming things, including a brief New England tour in early March.

    Screenshot from Bandcamp Daily. Photo of Alexa Rose and a crop of the Chico States album cover showing green gingham fabric and drawings of horses. Text reads: "BEST COUNTRY. The Best Country Music on Bandcamp, November 2025. By Ben Salmon. November 21, 2025. November’s best country (and country-ish) releases on Bandcamp run the gamut from Arkansas old-time music to Rocky Mountain soundscapes to bluegrass made by a movie star, plus a previously unheard album by a legend of the genre. You’ll find all that and more below. Enjoy!"

    Ugly Hug Premiere of “A Dozen Beers.”

    We were fortunate to get a song premier at The Ugly Hug, a Chicago-based music journal started by Shea Roney. Since that publication, I’ve paid attention to the blog and they are hustling! It’s exciting to see new ground-up journalism show its face in the era of social media and press consolidation. They’re doing small festivals, riding along documenting tours, lots. I really respect what they’re doing.

    No Expectations 126: Anywhere

    This is another Chicago-based blog, running through Substack. Josh Terry is from Michigan 🙌. Beautiful writing and a project I want to connect with more intimately. I wonder if Terry brushed shoulders with any of the Michigan bands I came-of-age with. I like this, about the album: “it’s the platonic ideal of No Expectations-core: clever, freewheelin,’ and a little drunk.” More about platonic ideals please…

    The Bollard Bulletin for Nov. 3, 2025

    This was by far the most astute reading of Joe’s songwriting—and personal-public world—also, by far the most entertaining writing. The Bollard is Portland’s progressive alt-weekly, run by Chris Busby, and Busby either did great research or just very much vibes with what Joe puts down. I’ve known Joe for 11 or 12 years and I haven’t caught the cultural references, hidden meanings, or even explicit meanings that Busby caught. If there’s one album review to read, it’s this one—which is cool, because it’s also from the source closest to home in Maine.

    Estrenamos el nuevo disco de Chico States

    Spain?! This is fun! Joe speaks Spanish but this came by way of the Butte, MT label that put out the record, Anything Bagel. It’s a small label doing very handmade work (see the beautiful tapes they screen-printed for us), but they’ve really done a ton to promote our band. Feeling very very grateful for that too. Like The Ugly Hug, they’re another example of this generation’s music-loving people working hard to steer us from an empty culture of irreverent consumption—toward one where music is exciting and really matters to you through time.

    Rosy Overdrive – New Playlist: November 2025

    We were really happy to be the first song! on Rosy Overdrive’s November 2025 playlist, with Doda. Not only were we included, we had a nice write-up that connected us to some other artists Rosy Overdrive elevates. I was happy to see the second song was Idle Ray, a project of Fred Thomas’ that goes back to a summer I lived in Michigan. Maggie and Luke and I spent a lot of that 2018 summer together (we three were Raw Honey then) and Maggie was recording Riverbed with Fred as an engineer. We practiced all the time and did a few very interesting shows near Ann Arbor. The most special to me was playing with Idle Ray and Simon Joyner at Ziggy’s in Ypsilanti. At that show, Idle Ray was just a tape player with pre-recorded material and an unmic’d classical guitar. The sound, to me, fit the conditions of the room so much better than a PA could. I wish I could see that format again.

  • release show at blue in portland this thursday 10/23

    Chico States’ new album, I Saw A Galloping Horse Cover No Ground, will drop at midnight Wednesday. If you’re near Portland, please come join us Thursday with good friends Dee Dee Sea, the very gracious and talented Alex Cholewa (Number One Babe), and Will Lawrence of Felice Brothers.

    Box of tapes for Chico States' album I Saw A Galloping Horse Cover No Ground.

    Chico States + Will Lawrence + Dee Dee Sea + Number One Babe @ Blue Portland Maine, Oct. 23, 8:00PM – 11:30PM. Advance tickets here: https://www.blueportlandmaine.org/events/chico-states-will-lawrence-dee-dee-sea-number-one-babe

    Here’s a video from the other night in Bath, ME.

  • Ugly Hug Premiere: Chico States’ “A Dozen Beers” Single Out Today

    Thank you to The Ugly Hug, the 2 yr. old music journal from Chicago started by Shea Roney, for premiering Chico States’ first single for I Saw A Galloping Horse Cover No Ground. Can’t wait for October 23rd. Come to Blue in Portland for the release show!

  • New Chico States Album, I Saw A Galloping Horse Cover No Ground, Out October 23 on Anything Bagel

    Show poster for Chico States record release concert at Blue Portland Maine on October 23, 2025. Text reads: "I Saw A Galloping Horse Cover No Ground. Record Release Concert. Blue Portland Maine. Doors 7 p.m. Show 8 p.m. 10/23/24. $12 presale. $15 day of show. With friends: Will Lawrence (of Felice Brothers, Hudson Valley NY), Number One Babe (Rhode Island), Dee Dee Sea (Belfast)."

    Chico States is releasing a new album called I Saw A Galloping Horse Cover No Ground on October 23rd through Anything Bagel Records, a tape label out of Butte, Montana. Our friend Garrett Linck (Dee Dee Sea, Lily Seabird) recorded it in his studio in Midcoast Maine. Our release show is at Blue in Portland on release day. I wrote the blurb for the press release and doing so strengthened my connection to Joe’s work. I wanted to share it here:

    “This third full-length of encyclopedic Americana shows Joe Barresi elaborating on his odd merger of personal minutiae and public history. I Saw A Galloping Horse Cover No Ground appears almost Lorca-esque in its take on the hyper-current-meets-the-heriditary. Coming off a few years of heavier performance and an expanding membership, Chico States’ band shows a pithiness in style and sonic clarity that earlier records hadn’t yet realized, partly due to scale. But here you can feel—in mind and chest—the distance and scary spaciousness of Barresi’s experience of travel through subcultures of the PNW, France, Aotearoa, Maine, or even along tracks in imaginary locations like Farmington Bay. It’s difficult, and rewarding, to know an artist whose voice confuses you about what’s real and what’s simply interesting. Barresi’s is like that, and this third record gives it a durable body.

    Like the tongue-and-cheek term “American primitivism” Fahey gave to his guitar music, the terms cosmic Americana or even anti-country become easier ways to understand this music. But the joke is that there is no actual desire to appropriate: in fact, Barresi’s songs are achingly sincere and concerned with real relationships to tradition, place, people, and 2020s gestalt. Folk music, from Roud Ballads to the documents of Appalachia made by Alan Lomax, has always expressed the individual situation in a way others feel inclined to repeat. In recording highly idiosyncratic, personal music borne out of compulsory love for rail systems especially, Chico States permits us to partake in the organized disorientation normally reserved for trainspotters.”